There was an intimate feel musically and atmospherically. The quartet huddled together, close to the hushed audience in the darkened concert hall (my notebook was surprisingly readable when I opened it this morning). The acoustics allowed for the quartet to play quietly and clearly, though there was still plenty of clarity when the dynamic level shifted gears.
The two sets of all original material from Moore had a nice mix of freedom and form etc. Considering the material was new to 3/4 of the band they still managed to create a create a fine ensemble sound. In particular, Moore and Berman were a pairing I would like to hear more from - their blend was superb.
I've been lucky to catch Moore in concert about half a dozen times over the last 8 or 9 years. In fact, the very first time I hear him was in concert in at the jazz festival in Wellington - a quartet with Han Bennink (off the top of my head the rest of the personnel escapes me... anyone care to fill me in?). Moore has a melodic conception and tone that a greatly admire - a player who has developed a personal approach to the instrument and to improvisation.