This is Ted Panken's transcription of Ed Scarvalone's interview with Max Roach on WKCR-FM from January 22, 1979. The discussion focuses on Lennie Tristano, who died the previous November. An accident prevented Roach from performing at the Lennie Tristano Memorial Concert the week following the interview but he contributed a solo piece to the live concert recording at a later stage (available on Jazz Records Inc.). Be sure to check out Ted Panken's blog too.
Click on the image to view full transcript as PDF (16 pages).
Monday, August 31, 2015
Tuesday, August 18, 2015
Miles Davis Kind of Blue - Original Down Beat Review
Miles Davis' Kind of Blue was released on this day back in 1959. Here's the five-star review that appeared Down Beat (Oct 1 1959). Seems like it hit the ground running, I wouldn't mind checking out a few other reviews to see what the consensus was at the time of the albums release. Earlier this year Jazz Wax wrote about Bill Evans' liner notes for Kind Of Blue and included the drafts written in Evans' hand.
More vintage magazine articles can be found here.
More vintage magazine articles can be found here.
Friday, August 14, 2015
Recent Listening: The Inflated Tear
I just realised this post has been sitting in my "drafts" folder since last month.
After hearing Kirk on Charles Mingus' Oh Yeah I saved up some busking money and picked up the only album by Kirk - The Inflated Tear - that was in stock at the now defunct Real Groovy in Wellington (I still remember the looks I use to get as I plunked $20-30 of change on the counter!).
There is an energy that Kirk plays with that I find very appealing - a certain feeling that I find hard to put into words, I can't put my finger on it. This is something that draws me to an artists' work, and although it's not always the same feeling, I have experienced this "mystery" listening to the likes of Lester Young, Lee Konitz, Roy Eldridge, Hayden Chisholm, Han Bennink, Billie Holiday, Bill Payne, Connie Crothers, Richard Tabnik and a handful of others.
Kirk is backed by Ron Burton (p) Steve Novosel (b) Jimmy Hopps (d) and Dick Griffin (tb on 8) and the ten tracks provide plenty of - blues ("The Black and Crazy Blues"), joy/exuberance ("A Laugh For Rory"), the mystical (and tender) title track, mid tempo swing ("Creole Love Call"), ballads ("Fingers In The Wind"), and some up tempo blowing ("Lovellevelliloqui" & "A Handful of Fives").
I enjoy the way his notes are not constant but instead different colours and overtones are expressed in the space of one note (check out the held notes on "The Black and Crazy Blues"). He's slightly rough around the edges at times, and I get the feeling that it's about expressing the moment that counts (rather than perfect execution).
Even after all these years, I feel Kirk is treated as somewhat of a sideshow/novelty act. As a result, what he brought to the music has not been fully appreciated. The Inflated Tear is a great starting point for those new to his music but don't stop there - Rip, Rig and Panic, I Talk With The Spirits (a must for flute fans), We Free Kings plus Mingus' Oh Yeah - dig in and enjoy!
After hearing Kirk on Charles Mingus' Oh Yeah I saved up some busking money and picked up the only album by Kirk - The Inflated Tear - that was in stock at the now defunct Real Groovy in Wellington (I still remember the looks I use to get as I plunked $20-30 of change on the counter!).
There is an energy that Kirk plays with that I find very appealing - a certain feeling that I find hard to put into words, I can't put my finger on it. This is something that draws me to an artists' work, and although it's not always the same feeling, I have experienced this "mystery" listening to the likes of Lester Young, Lee Konitz, Roy Eldridge, Hayden Chisholm, Han Bennink, Billie Holiday, Bill Payne, Connie Crothers, Richard Tabnik and a handful of others.
Kirk is backed by Ron Burton (p) Steve Novosel (b) Jimmy Hopps (d) and Dick Griffin (tb on 8) and the ten tracks provide plenty of - blues ("The Black and Crazy Blues"), joy/exuberance ("A Laugh For Rory"), the mystical (and tender) title track, mid tempo swing ("Creole Love Call"), ballads ("Fingers In The Wind"), and some up tempo blowing ("Lovellevelliloqui" & "A Handful of Fives").
I enjoy the way his notes are not constant but instead different colours and overtones are expressed in the space of one note (check out the held notes on "The Black and Crazy Blues"). He's slightly rough around the edges at times, and I get the feeling that it's about expressing the moment that counts (rather than perfect execution).
Even after all these years, I feel Kirk is treated as somewhat of a sideshow/novelty act. As a result, what he brought to the music has not been fully appreciated. The Inflated Tear is a great starting point for those new to his music but don't stop there - Rip, Rig and Panic, I Talk With The Spirits (a must for flute fans), We Free Kings plus Mingus' Oh Yeah - dig in and enjoy!
Saturday, August 08, 2015
Rahsaan Roland Kirk: The Road To Frustration - Down Beat Feature 1963
Here is Don DeMicheal's profile of Roland Kirk (b. Aug 7, 1935) that appeared in the May 22, 1963 issue of Down Beat Magazine. Click on the image to view full article as PDF. Here are more vintage magazine articles.
Thursday, August 06, 2015
Bedside Listening
Of late, these albums have been hanging out on the bedside table. Occasionally the full album will be played - usually during the day (as was the case on Saturday when Shots got a couple of spins). For the most part though I listen to a few tracks before going to sleep (sometimes as a morning wake up too). The line up evolves over the course of a couple of weeks.
Herbie Nichols: The Complete Blue Note Recordings (Blue Note)
Charlie Parker & Dizzy Gillespie: Bird and Diz (Verve)
Hayden Chisholm: Breve (Pirouet)
Jay Clayton and Jerry Granelli: Sound Songs (Winter & Winter)
Steve Lacy: Shots (HatOlogy)
Roland Kirk: The Inflated Tear (Atlantic)
Herbie Nichols: The Complete Blue Note Recordings (Blue Note)
Charlie Parker & Dizzy Gillespie: Bird and Diz (Verve)
Hayden Chisholm: Breve (Pirouet)
Jay Clayton and Jerry Granelli: Sound Songs (Winter & Winter)
Steve Lacy: Shots (HatOlogy)
Roland Kirk: The Inflated Tear (Atlantic)
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