Showing posts with label Fresh Sound Records. Show all posts
Showing posts with label Fresh Sound Records. Show all posts

Thursday, February 26, 2015

Recently Listening - Perry Robinson: Funk Dumpling

Savoy Fresh Sound Records

Reissued by Fresh Sound, Funk Dumpling (recorded in 1962 for Savoy) was Perry Robinson's debut recording as a leader.
From the little I've heard of Perry Robinson in the past, this album is more conventional yet still personal. Alongside Robinson's bold and distinctive clarinet playing are a young Kenny Barron and the formidable bass and drum pairing of Henry Grimes and Paul Motian. Although Robinson is the dominant soloist the album still has a very unified band sound and individually everyone contributes. Composition duties are split between Robinson and Grimes. It's a very well rounded album with an upbeat and joyful swinging feel plus some lovely ballad work too. The playing sounded surprisingly fresh to my ears and I couldn't help but feel that Robinson has been short changed in the canon of jazz clarinetists. If I had one, I wouldn't hesitate adding this to a "must hear" list of clarinet recordings. A gem and highly recommended - check it out!

Tuesday, June 17, 2014

Ran Blake & Jeanne Lee

Ran Blake & Jeanne Lee – Free Standards: Stockholm 1966 (Fresh Sound)
Earlier this year I picked up Ran Blake Plays Solo Piano and soon after, Free Standards. My introduction to Blake’s work came via recordings from the 1980s and 90s.

Clocking in at 73 minutes, the album is comprised of 25 previously unreleased tracks including Blake originals (“Vanguard,” “Galziation”), standards (“Take the ‘A’ Train,” “Ja-Da,” “I’ll Remember April”), bossa-nova (“Corcovado,” “Desafinado”), a couple from The Beatles (“Ticket To Ride” & “A Hard Day’s Night”) and originals from the session’s producer, Kjell Samuelson (all of which Blake plays solo). Lee is present on 10 of the tracks with Blake taking the rest on solo.

Even early on Blake’s sound is quite striking, percussive, dark and brooding, crystal-like clarity, utilizing a wide range of dynamics and the entire span of the keyboard. I enjoy the blend he and Lee achieve and the duo presents plenty of surprises for the listeners. I haven’t heard much from Lee (Carla Bley’s Escalator Over The Hill being the only thing I can recall). I found her inventive approach to the melodies along with her tone very listenable. For those interested in hearing a piano/vocal duo take tunes to a different place, this pairing could be you your alley. I must check out their first album together.