Showing posts with label saxophone ensembles. Show all posts
Showing posts with label saxophone ensembles. Show all posts

Sunday, November 29, 2020

Jazz | Pint | Transitioning Alpha Theta

North End Brewery
A quiet Sunday evening at home called for a beer and some listening. The album that has lulled me off to sleep the last couple of nights is Hayden Chisholm's Transitioning Alpha Theta from his box set Cusp of Oblivion. If you hadn't picked up on it, I'm definitely a fan of Hayden's work, and I particularly enjoy his saxophone ensemble recordings. Whereas Kaum Quartet and Auto Poetica feature four and eight alto players respectively, Transitioning Alpha Theta, features Hayden alone, multi-tracked.

Nothing is abrupt. Dynamics are at the quieter end with subtle variations as particular notes are emphasized and the sounds ease in and out with breath. Ebb and flow. Sublime saxophone playing. The Breath. Space. A sense of calm prevails. After 42 minutes the piece ends but feels like it could just keep going. Infinity. 

The breath. Calm. Space. Areas that warrant further exploration in my own work and a record such as this (and others from Hayden), are a handy resource.... and an enjoyable listening experience. This past week or so I've been consciously trying to slow down while practicing. Leaving more space etc. Putting the horn down helps - you can't play if it's not in your hands.

One of my regrets is not getting back to Greece for another of his workshops. Maybe in the future it will happen. For now, I can relax, listen, get lost in the sound, and slow down.

Thursday, June 25, 2015

Some Listening During June

After posting quite a bit during May, June has been a little quiet on the blog front. Here's a taste of some of the noise bouncing around the apartment for the past month.

Stan Getz:
Reflections (Verve) - Somewhere online I read that George Garzone would include this in his "desert island" picks. I hadn't heard it before, so I decided to check it out. It's a strange album with strings, a choir, brass section, standards, a Bob Dylan tune. Although his tone and lyricism aren't lacking at all, it's hard to put aside the corny/syrupy backing - but not my favorite Getz album.

Jimmy Giuffre:
Western Suite (Atlantic) - I haven't listened to this album much and made a note to get back to it soon. This time around Jim Hall's comping seems to leap out at me.
Jimmy Giuffre 3 (Atlantic) - the first Giuffre album I heard and one that I return to every now and then. This time around it accompanied me on a few occasions while cooking dinner.

Ornette Coleman's passing had me listening to some of his albums that I haven't really checked out before:
At the Golden Circle Vol.1 (Blue Note) - I haven't been able to get into this trio as much as the Atlantic quartets (but it's early days still).
Skies Of America (Columbia) - Ornette and the London Symphony Orchestra. I heard this not that long after it was reissued, but now I finally have my own copy (courtesy of Reckless Records).
The Empty Foxhole (Blue Note) - Another album I've been wanting to check out for some time now. Always good hearing Coleman and Haden together. Isn't it about time there was a decent Ornette on Blue Note box set put together?
Of Human Feelings (Antilles) - Of the Prime Time albums I've heard this one struck me a being a little more straight forward/approachable.

ICP Orchestra:
East of the Sun (ICP) - The latest from this excellent 10-piece group, and the first (I believe) without Misha Mengelberg at the piano (Guus Janssen has stepped in). I picked this up at their Chicago gig earlier this year. They always keep things varied with freer sections contrasting with written material and abstraction meeting swing. Be sure to give them a listen.

And a few selections from saxophone ensemble recordings including:
ROVA: ROVA plays Lacy: Favorite Street (Black Saint) and Figure 8: Pipe Dreams (Black Saint) - On the latter, the quartet is expanded to an octet with the addition of Dave Barrett, Tim Berne, Vinny Golia and Glenn Spearman. I have only recently started listening to ROVA and I've enjoyed what I have heard so far.
Julius Hemphill: Fat Man and The Hard Blues (Black Saint) - Hemphill formed his saxophone sextet after he moved on from the WSQ. If you are into the WSQ you'll want to check out this sextet.
World Saxophone Quartet: Rhythm and Blues (Elektra) - After listening to ROVA I was in the mood for more sax quartets and it led me here. After listening to these groups, I have the feeling I'm going to listen to more saxophone ensembles in the near future. Recommendations appreciated.