This is Ted Panken's transcription of Ed Scarvalone's interview with Max Roach on WKCR-FM from January 22, 1979. The discussion focuses on Lennie Tristano, who died the previous November. An accident prevented Roach from performing at the Lennie Tristano Memorial Concert the week following the interview but he contributed a solo piece to the live concert recording at a later stage (available on Jazz Records Inc.). Be sure to check out Ted Panken's blog too.
Click on the image to view full transcript as PDF (16 pages).
Monday, August 31, 2015
Tuesday, August 18, 2015
Miles Davis Kind of Blue - Original Down Beat Review
Miles Davis' Kind of Blue was released on this day back in 1959. Here's the five-star review that appeared Down Beat (Oct 1 1959). Seems like it hit the ground running, I wouldn't mind checking out a few other reviews to see what the consensus was at the time of the albums release. Earlier this year Jazz Wax wrote about Bill Evans' liner notes for Kind Of Blue and included the drafts written in Evans' hand.
More vintage magazine articles can be found here.
More vintage magazine articles can be found here.
Friday, August 14, 2015
Recent Listening: The Inflated Tear
I just realised this post has been sitting in my "drafts" folder since last month.
After hearing Kirk on Charles Mingus' Oh Yeah I saved up some busking money and picked up the only album by Kirk - The Inflated Tear - that was in stock at the now defunct Real Groovy in Wellington (I still remember the looks I use to get as I plunked $20-30 of change on the counter!).
There is an energy that Kirk plays with that I find very appealing - a certain feeling that I find hard to put into words, I can't put my finger on it. This is something that draws me to an artists' work, and although it's not always the same feeling, I have experienced this "mystery" listening to the likes of Lester Young, Lee Konitz, Roy Eldridge, Hayden Chisholm, Han Bennink, Billie Holiday, Bill Payne, Connie Crothers, Richard Tabnik and a handful of others.
Kirk is backed by Ron Burton (p) Steve Novosel (b) Jimmy Hopps (d) and Dick Griffin (tb on 8) and the ten tracks provide plenty of - blues ("The Black and Crazy Blues"), joy/exuberance ("A Laugh For Rory"), the mystical (and tender) title track, mid tempo swing ("Creole Love Call"), ballads ("Fingers In The Wind"), and some up tempo blowing ("Lovellevelliloqui" & "A Handful of Fives").
I enjoy the way his notes are not constant but instead different colours and overtones are expressed in the space of one note (check out the held notes on "The Black and Crazy Blues"). He's slightly rough around the edges at times, and I get the feeling that it's about expressing the moment that counts (rather than perfect execution).
Even after all these years, I feel Kirk is treated as somewhat of a sideshow/novelty act. As a result, what he brought to the music has not been fully appreciated. The Inflated Tear is a great starting point for those new to his music but don't stop there - Rip, Rig and Panic, I Talk With The Spirits (a must for flute fans), We Free Kings plus Mingus' Oh Yeah - dig in and enjoy!
After hearing Kirk on Charles Mingus' Oh Yeah I saved up some busking money and picked up the only album by Kirk - The Inflated Tear - that was in stock at the now defunct Real Groovy in Wellington (I still remember the looks I use to get as I plunked $20-30 of change on the counter!).
There is an energy that Kirk plays with that I find very appealing - a certain feeling that I find hard to put into words, I can't put my finger on it. This is something that draws me to an artists' work, and although it's not always the same feeling, I have experienced this "mystery" listening to the likes of Lester Young, Lee Konitz, Roy Eldridge, Hayden Chisholm, Han Bennink, Billie Holiday, Bill Payne, Connie Crothers, Richard Tabnik and a handful of others.
Kirk is backed by Ron Burton (p) Steve Novosel (b) Jimmy Hopps (d) and Dick Griffin (tb on 8) and the ten tracks provide plenty of - blues ("The Black and Crazy Blues"), joy/exuberance ("A Laugh For Rory"), the mystical (and tender) title track, mid tempo swing ("Creole Love Call"), ballads ("Fingers In The Wind"), and some up tempo blowing ("Lovellevelliloqui" & "A Handful of Fives").
I enjoy the way his notes are not constant but instead different colours and overtones are expressed in the space of one note (check out the held notes on "The Black and Crazy Blues"). He's slightly rough around the edges at times, and I get the feeling that it's about expressing the moment that counts (rather than perfect execution).
Even after all these years, I feel Kirk is treated as somewhat of a sideshow/novelty act. As a result, what he brought to the music has not been fully appreciated. The Inflated Tear is a great starting point for those new to his music but don't stop there - Rip, Rig and Panic, I Talk With The Spirits (a must for flute fans), We Free Kings plus Mingus' Oh Yeah - dig in and enjoy!
Saturday, August 08, 2015
Rahsaan Roland Kirk: The Road To Frustration - Down Beat Feature 1963
Here is Don DeMicheal's profile of Roland Kirk (b. Aug 7, 1935) that appeared in the May 22, 1963 issue of Down Beat Magazine. Click on the image to view full article as PDF. Here are more vintage magazine articles.
Thursday, August 06, 2015
Bedside Listening
Of late, these albums have been hanging out on the bedside table. Occasionally the full album will be played - usually during the day (as was the case on Saturday when Shots got a couple of spins). For the most part though I listen to a few tracks before going to sleep (sometimes as a morning wake up too). The line up evolves over the course of a couple of weeks.
Herbie Nichols: The Complete Blue Note Recordings (Blue Note)
Charlie Parker & Dizzy Gillespie: Bird and Diz (Verve)
Hayden Chisholm: Breve (Pirouet)
Jay Clayton and Jerry Granelli: Sound Songs (Winter & Winter)
Steve Lacy: Shots (HatOlogy)
Roland Kirk: The Inflated Tear (Atlantic)
Herbie Nichols: The Complete Blue Note Recordings (Blue Note)
Charlie Parker & Dizzy Gillespie: Bird and Diz (Verve)
Hayden Chisholm: Breve (Pirouet)
Jay Clayton and Jerry Granelli: Sound Songs (Winter & Winter)
Steve Lacy: Shots (HatOlogy)
Roland Kirk: The Inflated Tear (Atlantic)
Sunday, June 28, 2015
Ornette Coleman - Time Magazine 1960
While listening to the Ornette Coleman memorial broadcast on WKCR 89.9FM NY last week, I was digging through my files looking for some Ornette articles to post. The article below appeared in Time (June 27, 1960). I will be posting the Time features on Duke Ellington, Dave Brubeck and Thelonious Monk - stay tuned. Also, if you missed the memorial broadcast, check out Phil Schaap's archive of shows which includes four Ornette Coleman birthday broadcasts.
More vintage magazine articles can be found here.
More vintage magazine articles can be found here.
Thursday, June 25, 2015
Some Listening During June
After posting quite a bit during May, June has been a little quiet on the blog front. Here's a taste of some of the noise bouncing around the apartment for the past month.
Stan Getz:
Reflections (Verve) - Somewhere online I read that George Garzone would include this in his "desert island" picks. I hadn't heard it before, so I decided to check it out. It's a strange album with strings, a choir, brass section, standards, a Bob Dylan tune. Although his tone and lyricism aren't lacking at all, it's hard to put aside the corny/syrupy backing - but not my favorite Getz album.
Jimmy Giuffre:
Western Suite (Atlantic) - I haven't listened to this album much and made a note to get back to it soon. This time around Jim Hall's comping seems to leap out at me.
Jimmy Giuffre 3 (Atlantic) - the first Giuffre album I heard and one that I return to every now and then. This time around it accompanied me on a few occasions while cooking dinner.
Ornette Coleman's passing had me listening to some of his albums that I haven't really checked out before:
At the Golden Circle Vol.1 (Blue Note) - I haven't been able to get into this trio as much as the Atlantic quartets (but it's early days still).
Skies Of America (Columbia) - Ornette and the London Symphony Orchestra. I heard this not that long after it was reissued, but now I finally have my own copy (courtesy of Reckless Records).
The Empty Foxhole (Blue Note) - Another album I've been wanting to check out for some time now. Always good hearing Coleman and Haden together. Isn't it about time there was a decent Ornette on Blue Note box set put together?
Of Human Feelings (Antilles) - Of the Prime Time albums I've heard this one struck me a being a little more straight forward/approachable.
ICP Orchestra:
East of the Sun (ICP) - The latest from this excellent 10-piece group, and the first (I believe) without Misha Mengelberg at the piano (Guus Janssen has stepped in). I picked this up at their Chicago gig earlier this year. They always keep things varied with freer sections contrasting with written material and abstraction meeting swing. Be sure to give them a listen.
And a few selections from saxophone ensemble recordings including:
ROVA: ROVA plays Lacy: Favorite Street (Black Saint) and Figure 8: Pipe Dreams (Black Saint) - On the latter, the quartet is expanded to an octet with the addition of Dave Barrett, Tim Berne, Vinny Golia and Glenn Spearman. I have only recently started listening to ROVA and I've enjoyed what I have heard so far.
Julius Hemphill: Fat Man and The Hard Blues (Black Saint) - Hemphill formed his saxophone sextet after he moved on from the WSQ. If you are into the WSQ you'll want to check out this sextet.
World Saxophone Quartet: Rhythm and Blues (Elektra) - After listening to ROVA I was in the mood for more sax quartets and it led me here. After listening to these groups, I have the feeling I'm going to listen to more saxophone ensembles in the near future. Recommendations appreciated.
Reflections (Verve) - Somewhere online I read that George Garzone would include this in his "desert island" picks. I hadn't heard it before, so I decided to check it out. It's a strange album with strings, a choir, brass section, standards, a Bob Dylan tune. Although his tone and lyricism aren't lacking at all, it's hard to put aside the corny/syrupy backing - but not my favorite Getz album.
Jimmy Giuffre:
Western Suite (Atlantic) - I haven't listened to this album much and made a note to get back to it soon. This time around Jim Hall's comping seems to leap out at me.
Jimmy Giuffre 3 (Atlantic) - the first Giuffre album I heard and one that I return to every now and then. This time around it accompanied me on a few occasions while cooking dinner.Ornette Coleman's passing had me listening to some of his albums that I haven't really checked out before:
At the Golden Circle Vol.1 (Blue Note) - I haven't been able to get into this trio as much as the Atlantic quartets (but it's early days still).
Skies Of America (Columbia) - Ornette and the London Symphony Orchestra. I heard this not that long after it was reissued, but now I finally have my own copy (courtesy of Reckless Records).
The Empty Foxhole (Blue Note) - Another album I've been wanting to check out for some time now. Always good hearing Coleman and Haden together. Isn't it about time there was a decent Ornette on Blue Note box set put together?
Of Human Feelings (Antilles) - Of the Prime Time albums I've heard this one struck me a being a little more straight forward/approachable.ICP Orchestra:
East of the Sun (ICP) - The latest from this excellent 10-piece group, and the first (I believe) without Misha Mengelberg at the piano (Guus Janssen has stepped in). I picked this up at their Chicago gig earlier this year. They always keep things varied with freer sections contrasting with written material and abstraction meeting swing. Be sure to give them a listen.And a few selections from saxophone ensemble recordings including:
ROVA: ROVA plays Lacy: Favorite Street (Black Saint) and Figure 8: Pipe Dreams (Black Saint) - On the latter, the quartet is expanded to an octet with the addition of Dave Barrett, Tim Berne, Vinny Golia and Glenn Spearman. I have only recently started listening to ROVA and I've enjoyed what I have heard so far.
Julius Hemphill: Fat Man and The Hard Blues (Black Saint) - Hemphill formed his saxophone sextet after he moved on from the WSQ. If you are into the WSQ you'll want to check out this sextet.
World Saxophone Quartet: Rhythm and Blues (Elektra) - After listening to ROVA I was in the mood for more sax quartets and it led me here. After listening to these groups, I have the feeling I'm going to listen to more saxophone ensembles in the near future. Recommendations appreciated.
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