Sonny Rollins: Down Beat Magazine July 1958

Here's a feature article on Sonny Rollins from the July 10, 1958 issue of Down Beat magazine. Rollins talks of the struggle of juggling the facets of his career - performances, composing, organising bands etc and still finding time to practice regularly (2 hours per day). He mentions that he is writing a concerto for tenor saxophone (whatever happened to that!) and his desire to take a break from the scene (which would eventuate the following year) as well as working with strings and/or a big band (mentioning Gil Evans specially) and ultimately performing unaccompanied saxophone concerts.
Here's a list of links to previous vintage articles.

More Bedside Listening

John Carter & Bobby Bradford Quartet: Flight for Four (Flying Dutchman) This album has been sitting on my "to listen to" pile and I finally got around to it. Mark Weber put me onto this quartet and I'm glad he did (Mark recently posted on John Carter here).

Sal Mosca: The Talk of the Town - Live at the Bimhaus (Sunnyside) This 2CD set of live solo piano from 1992 released earlier this year is an absolute gem. Wonderfully recorded, the album has a very intimate feel - it's almost as if you are a fly-on-the-wall in Sal's studio. Be on the lookout for more Mosca - I understand a box set is due out towards the end of the year. Hopefully these releases will bring more attention to a very underrated pianist.

Dizzy Gillespie: Perceptions (Verve) Earlier in the year I was checking out recordings associated with the Third Stream and I came across Perceptions. The music was written by J.J Johnson and Gunther Schuller conducts a brass ensemble, harps and rhythm section as they back Gillespie. The suite showcases the lyrical side of Dizzy's playing that many don't associate with him (myself included). I finally found a copy in August (at the Jazz Record Mart) and over the past month it has been getting some airtime.

Sonny Rollins: Rollins Meets Hawk! (RCA) I hadn't listened to this album for years and I have to say I've really enjoyed getting back into it. I first heard this album back in '99 when Norman Meehan played it to our jazz history class, not really for Sonny & Hawk, but for Paul Bley (check out Norm's book with Bley - Time Will Tell). Bley is outstanding and although I know people who don't really dig Rollins' here, I'm enjoying it. A bunch of live Rollins quartet recordings with Don Cherry are now available and I'm looking forward to checking them out (eventually!).

Thelonious Monk: Brillant Corners (Riverside) I have been learning a few of Monk's melodies and this was one of the recordings I listened to while working on "Pannonica." This may well be my favourite Monk album. Another album I hadn't listened to for ages and I had forgotten how much I enjoyed Ernie Henry's contribution on alto.

Max Roach WKCR Interview Transcript

This is Ted Panken's transcription of Ed Scarvalone's interview with Max Roach on WKCR-FM from January 22, 1979. The discussion focuses on Lennie Tristano, who died the previous November. An accident prevented Roach from performing at the Lennie Tristano Memorial Concert the week following the interview but he contributed a solo piece to the live concert recording at a later stage (available on Jazz Records Inc.). Be sure to check out Ted Panken's blog too.
Click on the image to view full transcript as PDF (16 pages).

Miles Davis Kind of Blue - Original Down Beat Review

Miles Davis' Kind of Blue was released on this day back in 1959. Here's the five-star review that appeared Down Beat (Oct 1 1959). Seems like it hit the ground running, I wouldn't mind checking out a few other reviews to see what the consensus was at the time of the albums release. Earlier this year Jazz Wax wrote about Bill Evans' liner notes for Kind Of Blue and included the drafts written in Evans' hand. 
More vintage magazine articles can be found here.

Recent Listening: The Inflated Tear

I just realised this post has been sitting in my "drafts" folder since last month.

After hearing Kirk on Charles Mingus' Oh Yeah I saved up some busking money and picked up the only album by Kirk - The Inflated Tear - that was in stock at the now defunct Real Groovy in Wellington (I still remember the looks I use to get as I plunked $20-30 of change on the counter!).

There is an energy that Kirk plays with that I find very appealing - a certain feeling that I find hard to put into words, I can't put my finger on it. This is something that draws me to an artists' work, and although it's not always the same feeling, I have experienced this "mystery" listening to the likes of Lester Young, Lee Konitz, Roy Eldridge, Hayden Chisholm, Han Bennink, Billie Holiday, Bill Payne, Connie Crothers, Richard Tabnik and a handful of others.

Kirk is backed by Ron Burton (p) Steve Novosel (b) Jimmy Hopps (d) and Dick Griffin (tb on 8) and the ten tracks provide plenty of - blues ("The Black and Crazy Blues"), joy/exuberance ("A Laugh For Rory"), the mystical (and tender) title track, mid tempo swing ("Creole Love Call"), ballads ("Fingers In The Wind"), and some up tempo blowing ("Lovellevelliloqui" & "A Handful of Fives").

I enjoy the way his notes are not constant but instead different colours and overtones are expressed in the space of one note (check out the held notes on "The Black and Crazy Blues"). He's slightly rough around the edges at times, and I get the feeling that it's about expressing the moment that counts (rather than perfect execution).

Even after all these years, I feel Kirk is treated as somewhat of a sideshow/novelty act. As a result, what he brought to the music has not been fully appreciated. The Inflated Tear is a great starting point for those new to his music but don't stop there - Rip, Rig and Panic, I Talk With The Spirits (a must for flute fans), We Free Kings plus Mingus' Oh Yeah - dig in and enjoy!

Rahsaan Roland Kirk: The Road To Frustration - Down Beat Feature 1963

Here is Don DeMicheal's profile of Roland Kirk (b. Aug 7, 1935) that appeared in the May 22, 1963 issue of Down Beat Magazine. Click on the image to view full article as PDF. Here are more vintage magazine articles.

Bedside Listening

Of late, these albums have been hanging out on the bedside table. Occasionally the full album will be played - usually during the day (as was the case on Saturday when Shots got a couple of spins). For the most part though I listen to a few tracks before going to sleep (sometimes as a morning wake up too). The line up evolves over the course of a couple of weeks.

Herbie Nichols: The Complete Blue Note Recordings (Blue Note)

Charlie Parker & Dizzy Gillespie: Bird and Diz (Verve)

Hayden Chisholm: Breve (Pirouet)

Jay Clayton and Jerry Granelli: Sound Songs (Winter & Winter)

Steve Lacy: Shots (HatOlogy)

Roland Kirk: The Inflated Tear (Atlantic)