Charlie Haden

Haden @ Jazz Middelheim August 2009
photo by Guy Van de Poel

The web is alive with tributes to Charlie Haden and I felt it was necessary to add my two cents. I spent some time on Friday afternoon listening to some selections from the post-Ornette quartet "Old and New Dreams" and Etudes (trio with Geri Allen & Paul Motian), Memoirs (trio Paul Bley & Paul Motian). He has plenty of room to shine on Soapsuds, Soapsuds, a duo with Ornette Coleman.

Improvisers (on any instrument) can learn so much from his melodicism and economy. The later being a rare quality (we all tend to over-play) and is something I am becoming increasing interested in. The man could say a lot with a little and his music came from a deep place. One of my favourites.

I first heard Haden during my mid-late teens on Ornette Coleman’s The Shape Of Jazz To Come. At the time my ears were drawn to Ornette's playing and it wasn't until years later that I started coming to grips with the importance of Haden in this music. It’s an album that I’ll write about separately at a later date.

He was brought to my attention again a couple of years later on Lee Konitz’ Alone Together (Blue Note). This album got some serious airplay in 1999-2001. I was transcribing Lee’s solo on “What Is This Thing Called Love?” and my saxophone teacher challenged me, saying something along the lines of, “Why? What are you going to learn from that?” – I didn’t know what to say! Haden’s backing of Konitz (and Brad Mehldau) is superb – not a wasted note on the entire album. The same can be said for his solos to. I heard a Konitz/Haden duo set was recorded but I have never managed to track it down (I found a pic of the album cover somewhere online years ago). If anybody out there can direct me to it I’d be extremely grateful.

I only heard Haden in person once – a duo with Paul Bley at the Blue Note in NYC in 2009. I could only afford to sit at the bar, where they crammed us in like sardines. It was a pretty disappointing listening experience and put me off going to the Blue Note again (it was my first time there). I spent the evening squeezed in the corner unable to see the bandstand and having to put plenty of chatter around me. However, I had no complaints about the music.

Here are links to just a few of the many tributes: Nate Chinen at the New York Times, the Free Jazz Collective Blog, NPR Remembering Charlie Haden.

Listenings of Late

Well - here's what's been on of late.....

Miles Davis: "Live in Tokyo" (CBS)
This disc led me to listening to a bunch of Sam Rivers last week.

Sam Rivers:
"Vista" (Meta) A nice trio of Adam Rudolph (percussion), Harris Eisensadt (drums) and Rivers on Tenor/Soprano sax/Flute/. He didn't slow down in his later years - recorded in 2003 just before his 80th birthday.
"Crystals" (Impulse). I was familiar with the 2 big band discs from the 1990's on RCA but this one was new to me. A very distinctive big band writer.
"Waves" (Tomato)
"Hues" (Impulse)
"Streams" (Impulse)
Sam Rivers output from the 70's has managed to evade my ears until I had bit of a binge this week. Feel-wheeling, powerful blowing with plenty of continuity.

Cecil Taylor:
"Jazz Advance" (Transition) A bold debut with the added bonus of some early Steve Lacy.
"Nefertiti, The Beautiful One Has Come" (Revenant Records) A live recording of an early incarnation of the Cecil Taylor Unit.
"Unit Structures" & "Conquistador" (Blue Note) Two classics on Blue Note (I tend to favor the latter). I enjoy the contrasts in this group - the bass playing of Silva & Grimes....Taylor's density & Lyons roots in Bird.
"For Olim" (Soul Note) Recommended if you are wondering where to start with Taylor's solo work.

There has been plenty of Ornette Coleman related albums on too.
Ornette Coleman:
"Something Else!" (Contemporary) I hadn't listened to this one in ages. I remember one of my friends being into this album (Hi Brad!)  and playing 'The Blessing' back in our days at what is now the NZSM.
"The Shape of Jazz to Come" (Atlantic)
"Live at the Golden Circle Vol.1" (Blue Note)
"Free Jazz" (Atlantic) Other disc I hadn't listened to in quite some time. Enjoyed much more this time round.

Old & New Dreams: "Old & New Dreams" (Black Saint) For those of you that enjoy Ornette Coleman's work on Atlantic this group (of Coleman Alumni) makes an excellent follow up.

Keith Jarrett: "Fort Yawh" (Impulse) Jarrett's 'American Quartet' - a group I haven't listened to that much.

Don Cherry: "Complete Communion" (Blue Note) A nice place to start with Cherry's work after the Coleman Quartet. Two, four movement suites with nice playing all round - particularly the rhythm section of Ed Blackwell & Henry Grimes.

John Coltrane & Don Cherry: "The Avant-Garde" (Atlantic) I feel this album is pretty up & down and can see why it wasn't initially released by Atlantic - must have sounded quite tame compared to what Coltrane was playing when it was released in 1966 ( the year "Ascension" & "Meditations" were released). Coltrane's earliest studio date on soprano.