Jazz April: week 3 listening

Louis Armstrong: The Complete Hot Five & Hot Seven Recordings (Columbia)
It was hard to go wrong kicking off week 3 with a classic. Throughout the week I made my way through all four discs. Armstrong's breaks, stop time passages, phrasing, elasticity and tone worked their magic like they always do. Essential listening.

Jimmy Giuffre: Free Fall (Columbia)
Giuffre's trio with Steve Swallow and Paul Bley is a favorite of mine and I can still remember hearing my introduction to the trio via 1961 (the ECM reissue of Fusion and Thesis). This led to Free Fall and while it didn't grab me the way the earlier work did, I stuck with it. This week I put it on for the first time in about a year, and I was reminded again just how different this group was in the 60s avant-garde crowd. Be sure to check out the live recordings from this trio released on HatOLOGY.

Yusef Lateef: Jazz Moods (Savoy)
Recorded in 1957, this was Lateef's first release as a leader (although his second album was from a slightly earlier session). The opening notes from the argol - a double-tubed reed instrument with a drone pipe and a melody pipe - grab your attention and it is maintained throughout the album with each of the five tunes hitting a different flavor - there's blues, modal, 7/4, pedal tones and the pairing of flute and Curtis Fuller's trombone is a color you don't hear too often. This was Lateef's working band at the time and its focussed sound is an important contributing factor to the album overall.

Steve Lacy/Steve Potts: Tips (Corbett vs Dempsey)
I wrote a little about my sole Record Store Day purchase here. 

Christian Weidner: The Inward Song (Pirouet)
Seeing that Christian has a new album (along with another as a sideman) due out on Pirouet, had me reaching for this quartet album from 2010. He has a superb alto tone and melodic sensibility with the bonus that he never overplays his hand - check him out! The drumming of Samuel Rohrer really popped out to me this week. There's a bunch of music on Pirouet that I want to check out including albums by Anna Webber and Joris Roelofs in addition to the two mentioned above.

Ran Blake: Ghost Tones (A-side Records)
Released last year, this album features different line-ups - ranging from solo piano to sextet - tackling material by or associated with George Russell (plus a couple of songs by Blake). While, I gave it one spin last week and three more this week, I haven't been able to get into it just yet. I'm not afraid of letting an album grow on me though, and I have a feeling this one might sneak up on me.

Jazz April: week 1 listening

Here's a rundown of my listening over the past week.

Wayne Shorter: Speak No Evil (Blue Note) Of Shorter's albums, I'm most familiar with this one but I'm still giving it attention as I make my through his work on Blue Note (one album per month). It had been a while since I last gave this a spin. Top playing, great tunes and a stellar line-up. Hard to go wrong really.

Steve Swell: Kende Dreams (Silkheart)
Released last year (I picked it up last week) the presence of Connie Crothers made this a must-have and it hasn't disappointed. The album features interesting tunes (all by Swell) and a very cohesive group [Swell (trb) Crothers (p) Rob Brown (as) William Parker (b) Chad Taylor (d)]. The improvising and accompaniment from all involved is dynamic. This one is set for many more listens. Recommended.

Jochen Rueckert: Introduction (Jazzline)
I'll keep things very brief as I am planning to write about this one at some stage. My accidental introduction to the world of Hayden Chisholm.

Ran Blake: Film Noir (Arista)
I picked up this one (along with two others) when Blake played at Constellation at the end of last month. Recorded in 1980 (reissued late last year) and comprised of varying line-ups from solo to 11 piece ensembles, this album sounds remarkably fresh.

Sal Mosca: Too Marvelous For Words (Cadence)
I've been listening to disc 2 from this 5 disc set of a 1981 concert tour of the Netherlands. A "must have" for Mosca fans but I urge pianists and fans to solo piano to check out this album. I remember Don Messina's enthusiasm as he told me about this upcoming release (6 months or so before its release) and I can hear why - staggering stuff.

Yusef Lateef: Before Dawn (Verve)
I've been meaning to check out more of Yusef Lateef and now I'm finally getting around to it having picked up a few albums (including this one) recently. I only managed to have one listen to it this week but the bluesy-bop brought to mind my friend Johnny Lippiett.

A few different versions of Thelonious Monk's song "Jackie-ing" have been getting a run. 5 by Monk by 5 (Riverside) and The London Collection (Black Lion) got me started. I can't think of a better Charlie Rouse solo on the former (Thad Jones is excellent too) and the latter is a great solo rendition with a different feeling to the quintet recording. Steve Lacy's More Monk has been another source too.

Ran Blake's Third Stream - Down Beat 1980

Today is Ran Blake's 80th birthday (b. April 20, 1935). As I mentioned earlier this month, The Newest Sound Around has been getting some airplay of late. I'm looking forward to hearing his latest album - Ghost Tones: A Tribute To George Russell. But for now, I'm reading Art Lange's feature article on Blake from the February 1980 issue of Down Beat.
Click on the image to view PDF of the full article. More vintage magazine articles can be found here.

Ran Blake & Jeanne Lee: Newest Sound Around & Down Beat Feature

Last year, Ran Blake & Jeanne Lee's Free Standards - Stockholm 1966 (see this post) grabbed my attention so kept I my eyes peeled for their first album together - The Newest Sound Around. I finally picked it up, and it's been getting some airtime around the apartment.

Recorded in 1961, the CD reissue (Phoenix Records) adds four tracks to the 11 on the original LP release. It was a very strong debut album and has held up well over the decades.

Aside from a track recorded at the Lenox School of Jazz in 1959, this is the earliest recording I have heard from Blake, and his personal style is already well in place. Although he doesn't really have that much solo space, the album showcases Blake's creative accompaniment. His harmonic sense and tasty use of dissonance and space blends well with Lee's deep, rich vocals. At times, Blake creates a dense sound (his accompaniment on "Love Isn't Everything"). At other times, his approach is more minimal (his first solo chorus on "Evil Blues").

There is a solo piano feature along with two solo vocal works. On two tracks the duo is joined by George Duvivier - who's solid bass playing adds some colour to the overall dark, brooding character of the album.

The album expresses a feeling that removes the need for any pyrotechnics, and leaves the impression that Jeanne Lee is very much underrated.

I consider this album essential listening for those interested in jazz vocals.

To finish things off, I thought I would share a couple of articles featuring the duo. The first is from Down Beat in 1962 (I lost my notes regarding what month it is from). The second are notes from a European tour (Down Beat May 7, 1964).

More vintage magazine articles can be found here.

2014 Round Up

This is not a "best of" and it's far from a comprehensive overview of my listening over the past 12 months - just a taste of albums I enjoyed that were new to me during 2014 (I've not focussed on new releases). Aside from the 2014 releases being first, things are in no particular order.


Connie Crothers: Concert In Paris (New Artists)

Perhaps I biased, but you'll find Connie's albums on any favourite's list of mine. Recorded in October 2011 (not long after I returned to NZ following a period studying with her) and released in August during Connie's residency at The Stone - another highlight from 2014. I'm always left wondering, "how does she do it?"

Slowfox: The Wood (Jazzwerkstatt) Root 70 with Strings: Riomar (Nwog)

As with Crothers, I'm a big Hayden Chisholm fan. The Wood got plenty of spins this year and I hope this trio record more in the future. There are a few videos of concerts from them floating around YouTube too. I may be a little cheeky including the Root 70 album here as I got it in 2013 but listened to it more in 2014.

Lennie Tristano: Chicago, April 1951 (Uptown)

Two discs of previously unreleased live recordings, tells you this is essential for anyone interested in Tristano, Konitz and Marsh et al.. The sound quality is pretty descent and the music is excellent. Lets hope for more releases from the Tristano vaults. For whatever reason, this one didn't quite get the same media attention as the Guiffre release.

The Jimmy Giuffre 3 & 4: New York Concerts (Elemental Music)

Another important historical release of previously unissued concert recordings, filling a gap during the post-Free Fall years that went unrecorded. Giuffre (on tenor and clarinet) along with trio (b/d) and quartet (p/b/d), fascinating listening and excellent notes too.

Kazzrie Jaxen Quartet: Callicoon Sessions (New Artists) A Million Shimmering Fish (New Artists)

Kazzire's lush piano shines across both of these quite different releases.  The latter features Kazzrie's piano and the poetry of Mark Weber - mostly piano responding to the spoken word (as opposed to the piano accompanying the spoken words). The Quartet has just released a new album which I am yet to hear.

Lester Young: Lady Be Good (unreleased alternate take)

From the collection of George Avakian comes an alternate take from the 1936 "Jones-Smith Inc." session. I hope someone dives in to the collection and discovers more gems such as this. The find of the year?

Paul Bley: Homage To Carla (Owl)

I do enjoy hearing Bley play Bley and this solo disc was on heavy rotation for a while (along with a few other Paul Bley albums). I'll be keeping an eye out for his trio disc on Steeplechase that tackles Carla's songs. In general, I still feel Paul Bley is under appreciated by the jazz community.

Various: West Coast Soundings (EWR)

I got this from Frank Gratkowski after his gig at Constellation (which was excellent). This is two discs of compositions that I guess fall into the the "new music" category. There's a lot of minimalism and drones. My interest was sparked when Frank mentioned there were times during the recording that he felt every note he played was too loud - I think he did pretty well. This was a nice accompaniment as I worked on school stuff.

Steve Lacy: Spirit of Mingus (Freelance) Steve Lacy & Evan Parker: Chirps (FMP)

As usual I listened to my fair share of Lacy this year. It was great hearing the master play a full set of Mingus tunes and how could I resist the Lacy/Parker duo (Parkers debt to Lacy is evident).

Paul Plimley & Lislie Ellis: Kaleidoscopes (HatArt)

This was a surprise disc that I picked up purely because this duo (who I was unfamiliar with) was playing the music of Ornette Coleman. I thoroughly enjoyed this album and recommend it to anyone interested in Coleman's music.

Lol Coxhill: Ear of Beholder (Esoteric) Milwaukee 2002 (Emanem) Alone and Together (Emanem)

There has been a steady stream of Coxhill on throughout the year. His personal approach to the soprano has drawn me in - there's a vulnerability and a rambling quality that appeals to be - a very distinctive player. The opening (included here) and closing tracks on Behearer hit my funny bone.

Ran Blake: Plays Solo Piano (ESP) Free Standards (Fresh Sound)

The fidelity of the solo disc is far from ideal but that didn't stop me from enjoying the music. On the duo disc I found that the original compositions written by the producer didn't grab my attention the way the standard tunes (solo & duo) did.

Ornette Coleman: In All Languages (Harmolodic/Verve)

Around the middle of the year I revisited some album's of Ornette's I hadn't listened to for some time. Along the way I picked up this one which I hadn't heard. The disc splits Prime Time and a reunion of the original quartet and it's worthwhile checking out the two groups takes on the same songs.

Art Tatum: Exactly Like You

This comes from a mid-1940s live recording (sorry but I've misplaced the full info!). Lewis Porter played this to us in class early last year. Check out striking chorus of single note lines.

John Surman: Fragments (ECM) Thimar (ECM) A Biography Of The Rev. Absalom Dawe (ECM)
Stranger Than Fiction (EMC)

I haven't listened to much John Surman over the years. For me, he's a player that has slipped through the cracks so this year I made bit of an effort to listen to some of his work. I focused on his soprano work but he is strong on baritone sax and bass clarinet too. It was enough for me to want some more.

Norman Winstone: Somewhere Called Home (ECM)

I went to the Jazz Record Mart on New Year's eve hoping to find Jay Clayton's Sound Songs. They didn't have it and I was in the mood for some vocals so on a whim I picked this up - a nice mellow way to take out 2014.

Ran Blake & Jeanne Lee

Ran Blake & Jeanne Lee – Free Standards: Stockholm 1966 (Fresh Sound)

Earlier this year I picked up Ran Blake Plays Solo Piano and soon after, Free Standards. My introduction to Blake’s work came via recordings from the 1980s and 90s.

Clocking in at 73 minutes, the album is comprised of 25 previously unreleased tracks including Blake originals (“Vanguard,” “Galziation”), standards (“Take the ‘A’ Train,” “Ja-Da,” “I’ll Remember April”), bossa-nova (“Corcovado,” “Desafinado”), a couple from The Beatles (“Ticket To Ride” & “A Hard Day’s Night”) and originals from the session’s producer, Kjell Samuelson (all of which Blake plays solo). Lee is present on 10 of the tracks with Blake taking the rest on solo.

Even early on Blake’s sound is quite striking, percussive, dark and brooding, crystal-like clarity, utilizing a wide range of dynamics and the entire span of the keyboard. I enjoy the blend he and Lee achieve and the duo presents plenty of surprises for the listeners. I haven’t heard much from Lee (Carla Bley’s Escalator Over The Hill being the only thing I can recall). I found her inventive approach to the melodies along with her tone very listenable. For those interested in hearing a piano/vocal duo take tunes to a different place, this pairing could be you your alley. I must check out their first album together.

Maple Leaf Rag

Earlier in the week I was reading about the early history of jazz. Ragtime was the subject and Scott Joplin's "Maple Leaf Rag" was the given example. This led me to listening to the few versions that I have.

First up was "King of Ragtime Writers: from classic piano rolls." Nice hearing it in a very straight forward way even if it was a bit stiff and lacking the human touch.

Following that was Alan Lomax's 1938 recording of Jelly Roll Morton demonstrating how he would take a tune and make it his own - "In my estimation there's a vast difference." This is available of the Library of Congress Recordings - Fascinating stuff, I urge you to check it out (have a bit of time on your hands it's 8 CDs). It's a shame there aren't more recordings of the masters talking about and demonstrating their music.

Up next was Ran Blake exploring "Maple Leaf Rag" over four takes from his solo piano albums Painted Rhythms Vol. 1 & 2. (GM Recordings 1985). Just as Morton made it his own, so too does Blake - tempo shifts, sparse and light, dense and dramatic. He shows there's plenty of mileage left for improvisers to explore on the old classics.

Then I leapt back to 1932 with the New Orleans Feetwarmers ( Sidney Bechet (soprano sax) Henry Duncan (p) Tommy Ladnier (trpt) Tommy Nixon (trb) Ernest Meyers (b/vocal) Morris Morland (d) ). Bechet really wails here (his reed almost explodes around 2 min 30 mark) and the band steams along.  This recording has a great atmosphere (shouts of encouragement during the piano feature add to it). Note to self: More Sidney Bechet.


And that exhausted my collection. Perhaps I'll jump on Spotify and look for some more.