It was Wayne Shorter's 86th birthday last week so 1 + 1 was a fitting (although completely coincidental) choice. I don't hear too many people taking about this album, maybe it's bit of a sleeper in his discography, but I dig it. Bonus points as Wayne sticks to soprano throughout and I particularly like his tone on this album.
It took a bit of hunting to track it down, but I really wanted to find a copy of Loneliness of a Long Distance Runner after reading that David Liebman rates it as one of his finest outings. The album has grown on me over the years and not having listened to it for a while, I really enjoyed it this time around. It's an all-soprano outing - solo with multi-tracked soprano. Lieb signed the album for me following a masterclass at PM Woodwind - I don't know why I didn't ask him about the recording process and how he put the work together. It's a must listen for Liebman fans, those keen on the soprano saxophone, and solo sax recordings. For those interested in composition, it's worth checking out how much Liebman can extract from the brief main theme. And again, completely coincidental, I'm posting this on Lieb's 73rd birthday.
Thursday, September 05, 2019
Monday, September 02, 2019
Music for Commuting: Voices and Communique
The car ride needed some soprano sax last week and Steve Lacy is always go-to source on that front. Communique is another chapter in the long line of Steve Lacy/Mal Waldron collaborations. I'm not sure I enjoy this one as much as Sempre Amore. I know I've listened to the latter a lot more, so maybe I just need to spend more time with this one. It dawned on me that I don't have any albums by Waldron as a leader and he's a player I want to explore further - I'm open to recommendations.
Voices is a reissue I picked up earlier this year - a trio date led by Masahiko Togashi with Lacy and Jean-Jacques Avenel. I have a couple of albums of Lacy and Togashi together and they make a nice pairing. Spiritual Moments was getting airplay earlier in the year but of late Voices has been in the rotation. For now, I'll take a break from the master while I await a few more discs that are heading my way.
Voices is a reissue I picked up earlier this year - a trio date led by Masahiko Togashi with Lacy and Jean-Jacques Avenel. I have a couple of albums of Lacy and Togashi together and they make a nice pairing. Spiritual Moments was getting airplay earlier in the year but of late Voices has been in the rotation. For now, I'll take a break from the master while I await a few more discs that are heading my way.
Saturday, August 31, 2019
NZ Jazz: Jann Rutherford - Discovery
Jann
Rutherford: Discovery (Tall Poppies) 1998
I
picked this out of the pile on the spare of the moment as I was about
to head out the door on the first of the month. Sometimes the fit is
just right for a particular moment. And having this keep me company
whilst driving through the Horowhenua fog.... it just felt right.
The
album contains 14 solo piano pieces – original compositions and
some improvised pieces too. Overall it's warm and intimate with nice
amount of introspection (with a sombre edge). Some pieces are quite
joyful (yet slightly restrained), while others are searching deep.
There are some shades of Mike Nock on the more up beat tunes
(“Expectations” “Eve” "Weird Blue Lady”), but rhythmically
Rutherford is different. Forceful is not the right word, but Mike is
more rhythmically pronounced or percussive. As a bonus, listening to
Discovery led me to giving both Talisman and Piano Solos a spin too.
Although
the more introspective pieces may have led to some naval gazing, they
are my favourite parts of the album – particularly those that I'm
assuming are free improvisations such as the 2-part “Flights of
Fancy” and 3-part “Adventure” (I finally checked the liner
notes... they are free improvisations).
I noticed that this album would often lead my mind wander off and
ponder things beyond the music at hand. Was it the music or just my
general state of mind in this month? It seemed to happen often enough
that I feel the music was setting the wheels in motion - just zoning
out with it but not in it. I
may have felt a bit zoned-out at times, but the music was going in.
And as the month passed I was catching myself singing along with bits
and pieces across the album – no doubt due to the lyrical,
melodically memorable aspects of her playing.
Some
music can change your mood, other (or at other times) music can
reinforce it. But in this case I feel I’m projecting my own
feelings into the music (we always do that though, don't we). Had recent times not been what they were,
how differently would I hear this music? Would I be projecting
something else entirely on this music? Would listening to this album
in a years time change my perception of it - or perhaps my impression
is now ingrained in me. Revisiting this album down the track could be
an interesting experience.
Why is this on my mind this month and what is it about this recording that made me think about it? Would I have thought about it had I been listening to something else? Further, why am I doing this series on New Zealand jazz recordings? Why not just listen to music I really love? Two years in and I’ve found it interesting and quite rewarding at times. But how much of the music has touched me on a truly deep level? Not much really. I started this series at a time when things were getting tough, and probably more than anything else it was a way to reconnect with home. The struggle continues but for now, at least, I feel like things have run their course. Maybe it’s time for a break and step back from this before it becomes a drag.
Across the month moments change but none quite fit like that first listen. It’s funny, you sit down to write about an album and something else comes out.
Tuesday, August 27, 2019
Arthur Street Loft Orchestra: Blair Latham & Anton Wuts
Blair
Latham (b.cl/ts) Anton Wuts (as/ts/bs) Jake Baxendale (as/b.cl) Bent
Hunt (trpt) Jasmine Lovell-Smith (ss) Alistair Isdale (b) Thomas
Friggens (d)
I
had been well overdue getting along to another Arthur Street Loft
Orchestra concert, but I really didn't want to miss out on this week
which featured Little Symphony Sax Quartet and Noveltones (with Ben's
trumpet in place of Tristan's violin) and joining forces to play
music written by Anton and Blair. There's always plenty of energy
from these two and a bit of humour too. Plus their music works well
together too with the set moving seamlessly between works from both
composers. So often you hear original compositions just once, but I'm
glad that Blair's “Message in a Bottle” has reappeared at a few
gigs - I must have heard three versions for different instrumentation
so far. It's nice when artists have a chance to only present original
music, but also the oppourtunity to develop works over time. Week to
week there's plenty of variety at the Arthur Street Loft Orchestra
gigs both in terms of instrumentation and content. There's three
weeks left in Season 7 – Louisa Williamson, Daniel Hayles and John
Rae – I'll need to check my work schedule but I hope to get to at
least one of these.
It
can be bit of a rush to get in straight from work. Or at least it
feels like a rush, but I always seem to get in with time to spare
(great... now I've just hexed it for next time!). Although, I have to
remember to stand next time... too much time sitting (in the car, at
the gig, in the car again). It makes for a long day – about
7am-11pm - but it's worth the effort.
Wednesday, August 21, 2019
Everyday Life
Sunday, August 04, 2019
Swagman at Raumati Social Club
I'm trying to keep up the tradition of catching the monthly Swagman gig. This time around I convinced my sister to bring along my nephew - his first gig - and I enjoyed watching him take in everything. He hung in there for the first set and then they bailed before he melted down.
Swagman draw a regular, local crowd. By the end of the evening it's 85% (at least) regulars who are there every time I'm there. It makes for good vibes, and this time round it was a night of enjoyable hangs - first with the family, the band between sets (Swagman groupie alert!), and meeting some new people at the end of the night. The band was sounding really together, and perhaps as a result, the soloists stretched out a little more (especially in the second set). Until next time.
Thursday, August 01, 2019
Thursday Night Listening

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