Practice Journal: December 8 2014

Monday:
(forgot to take notes today bit I remember working on the following stuff).
Ear Training - Training The Ear Vol. 1 by Armen Donelian arrived in the mail so I started some work from that. I have never really worked from an ear training book before (not including the Lars Edlund "Modus" books). I was trying to remember our ear training classes at school but only have vague memories (naming intervals, chords and chord progressions) and we had handouts from the tutors rather than a text book.
Modus Vetus - sing and play 1 phrase in all keys (ascending chromatically)
Overtones
Modus Novas - sing and play 1 phrase in all keys (descending chromatically)

Tuesday:
Ear Training
I had limited time today but felt the session was quite focused
Modus Vetus - 1 phrase in all keys using Lacy's "Magic Order."
Overtones
Started working on the melody of "Beauty Is A Rare Thing"

Wednesday:
Ear Training
Rhythm - Ewe bell pattern variations. I worked on these before playing the horn and then in between each of the following parts of the practice session. I didn't focus on one, just played few a half a dozen or so.
Long Tones - E at varying dynamic levels
Modus Vetus - 1 phrase in all keys (Lacy's "Magic Order")
Overtones - Working on a few lines from the Rascher book (page 16).
"Beauty Is A Rare Thing" - played melody solo and along with recording

After only getting 3.5 hours sleep last night things went better than I expected

Thursday:
Ear Training
Rhythm - Ewe bell pattern variations. I worked on these before playing the horn and then in between each of the following parts of the practice session. Focused on one rhythm each time.
Long tones on A - varying dynamics.
Overtones - having trouble with E & G off low C. Still working at it and the overtones off low B and particularly low Bb are getting being.
Modus Novas - sing and play 1 phrase in all keys around cycle of 4ths.
"Beauty Is A Rare Thing" - played melody solo and along with recording.Then started working on the harmony line played on the out head.

Friday:
Ear Training
Overtones - focus was on tone matching today.
Long tones - Changed things up a bit today. Held out long tone and then started alternating between notes a half step apart.
Rhythm - alternating between Ewe and Bemba Patterns
Modus Novas - sing and play 1 phrase in all keys (Major 3rds)
"Beauty Is A Rare Thing" - melody and harmony line solo and with the recording

Then it was time to tune in to my friend Paul hosting a Jazz-Meets-Christmas show on Coast Access Radio (104.7FM)

Sunday:
Today's session wasn't very productive, I had a hard time with focus.
Modus Vetus - sing and play 1 phrase in all keys (cycle of 4ths)
Revised some Ornette Coleman tunes - "Beauty Is A Rare Thing," "Broadway Blues" and "Feet Music."

Overtones - tone matching. I'm having trouble with some of the higher overtones from the C fundamental but I feel there has been some improvement.
Noodled around for 20 minutes or so. It was an unfocussed session.

Monday:
I took a break from the horn today but still got some work done.
Rhythm - Playing Bemba rhythm with different pulse beneath (4 and 3). Working on each separately and then alternating between them
Ear Trainning - more singing from the Donelian book

Tuesday:
Overtones and Tone Matching
Modus Vetus - sing and play 1 phrase in all keys
Rhythm - worked a little on accenting lines in 3/8. Started by just playing one note and accenting 3/8 then moving to playing repeated triads with the accent. Eventually moved on to improvising (slowly) 8th note lines with the 3/8 accent.
Finished things off playing "Out of Nowhere." This was the first time I had played something from the "Great American Songbook" for quite some time. Things felt quite open which is always nice.

This week I'm without my horn so the practice journal will have to wait until after Christmas.

Practice Journal: 25 November 2014

Monday:
It was a late practice session today and the mind and body were quite tired but it turned out to be a good session.
Modus Vetus - 1 phrase in cycle ascending and descending in whole tones from the starting point (E, F#, D, G#, C, A# and Eb, F, Db, G, B, A). It's nice breaking up the order in which you practice things.
Overtones - lots of tone matching and some overtone scales.
Balkan song - just a couple of spots that keep slipping my mind.
Improvising - emphasis on tonal/pitch variation and dynamics. The music itself seemed to move between quite tonal and more abstract.

Wednesday:
When I came to type up my notes I discovered I hadn't written any for today. From memory I worked on the following.
Overtones.
Modus Vetus and Modus Novas - 1 phrase in a cycle that follows the same shape as the Monday session (but from a different starting note).
"Broadway Blues" - alone and with the recording.

Thursday:
Modus Vetus - 1 phrase in a cycle that follows the same shape as the Monday session (but from a different starting note).
Balkan Tune - about 2 or 3 minutes into working on this a spring broke (right hand D). In about 20 years of playing sax that's only the second spring to break on me (the other was when I was at music school I think).
Overtones - something you can practice without worrying about springs not working!
Was going to finish up after that but then realised that the rubber band the keeps my reed case shut was staring me in the face. I hooked it up and continued.
Started working on Ornette Coleman's "Feet Music" from both versions on In All Languages (which I picked up at Reckless Records along with New York Is Now!). The album splits his original quartet with Prime Time (playing some of the same tunes).

Even though the spring broke I still felt that the session was pretty good.

Sunday:
Modus Vetus - 1 phrase in all keys this time in an expanding semi-tone cycle (F, F#, E, G, Eb, G#, D, A, Db, A#, C, B)
Overtones - warmed up with Letting It Fall before moving on to the Rascher book (the last line of page 15 and the first two lines of page 16).
Modus Novas - 1 phrase in 6 keys - this one took me a while to get in to so I will finish it off during my next practice.
"Feet Music" - although I hadn't played for a couple of days I did my best to keep the sound of this melody in my mind. It's coming together - I played it solo and along with the recording(s).
Rhythm - I started off the session today working on playing a bell rhythm in my left hand with a shifting pulse beneath (6, 4, 3 and 2). In between each of the above I continued working on it (just for a couple of minutes).

Practice Journal: 17 November 2014

Monday:
Modus Vetus - I'm sticking with working with these books by Lars Edlund. I have found that this one in particular is a nice place to start a session and get the horn warmed up.
Overtones - I don't seem to get tired with working on overtones.
Modus Novas - 1 phrase in all keys.
Started learning Ornette Coleman's "Broadway Blues" - I purchased New York Is Now! last week from Reckless Records and this melody had been in my ear.

Wednesday:
Modus Vetus - 1 phrase around the cycle of 4ths.
Overtones - Letting It Fall (descending octaves without the octave key) and then working my way up to play around on the 4/5th overtones. Played a few bugle calls too.
Modus Novas - ascending whole tones
Balkan Tune - been a couple of days and I remembered most of it (still need to work on articulation a bit)
"Broadway Blues" - working on it slow and then playing it with recordings (both takes from the album).

Thursday:
Modus Vetus - 1 phrase in all keys
Playing against a drone (E) - long tones (E and B) Similar to Steve Lacy's "Bugle Boy" exercise but slower.
Overtones - I was struggling with them, a new reed seemed to be the culprit! I returned to them briefly later in the session and things were a little better.
Modus Novas - 1 phrase in all keys (cycle of 4ths).
Balkan Tune.
"Broadway Blues" - working on the melody slowly and then along with the recording.

Friday:
My mind was quite distracted today and I only had a 30-40 minute window to play during.
I blew a few long tones to get some air into the horn and then decided to do something a bit different - playing through some of Joe Viola's Technique of Saxophone: Vol 1 Scale Studies. I worked through a few of the "Pentads - Polytonal Variations" (see example below). I kept things nice a slow, occasionally raising the tempo a bit.

Saturday:
Felt like a pretty good practice session today. Just the usual stuff...
Modus Vetus
Overtones and tone matching.
"Broadway Blues"
Modus Novas
Balkan Tune - I feel like it is time to move on. I want to find some tunes similar to this one.
Finished things off with a bit of improvising.

Sunday:
Alternated sax and rhythm work today. Playing a bell pattern with various pulses underneath (6,4,3 and 2) from Pure Rhythm.
Modus Vetus - started the next chapter - Root to Minor 3rd.
Overtones - Letting It Fall and Top Tones (parts of page 14). A bit more luck with E off C fundamental. Still a bit unstable but I felt there was progress.
Modus Novas - 1 phrase in all keys around cycle of 4ths. Had a little bit of trouble focusing on this one, once I did it fell into place quite well.
Balkan Tune - there are just a couple of little bits that I forget.
Finished things off playing "Broadway Blues" and some improvising.

Practice Journal: 10 November, 2014

Monday:
I forgot to write down notes from today but it was something along the lines of the following:
Overtones from the second half of page 14 in the Rascher book.
Modus Vetus - sing and play 1 phrase in all keys (in whole steps... I think).

Modus Novas - sing and play 1 phrase (worked my way around the keys I didn't get to before when playing this phrase).

Balkan Song

Rhythm - working on bell rhythms from Pure Rhythm.

Tuesday:
Following work, doctors and a run I decided to make today a rest day, although I did get in some rhythm work later in the evening.

Wednesday:
Modus Vetus - sing and play 1 phrase in all keys (in major 3rds)
Modus Novas - sing and play 1 phrase in all keys (in whole steps)
Balkan Song - worked on memorisation (I'm getting there slowly).
Finished things of with some improvising. It wasn't my longest practice session of late (about an hour) but I felt like I was focused and when my mind drifted I snapped back into place quickly.

Thursday:
Modus Vetus - sing and play 1 phrase in all keys (in minor 3rds)

Letting It Fall into Overtones and the 2nd half of page 14 and start of page 15 from Top Tones. E3 of C fundamental is giving me some problems. 

Modus Novas - sing and play 1 phrase in all keys (ascending in whole steps). This one was a phrase in 4ths that came together pretty quickly.

Rhythm - tapped out some bell patterns later in the evening.

Friday:
Balkan Tune - focused on the articulation today which is helping to bring together the rhythmic aspect. Some of the melodic shapes have them fall into place and others are less obvious

Modus Vetus - sing and play 1 phrase in all keys (in minor 2nds)

Letting It Fall into overtones - focus on the 5th and 6th (i.e. D and F from Bb fundamental). From Bb and B it was not too bad but I'm finding it hard to get E and G to speak cleanly from the C fundamental.

Modus Novas - sing and play 1 phrase in all keys (in Major 3rds).

Saturday:
About an hours practice today. My schedule changed at the last minute but I felt that I had quite a focussed session.
Modus Vetus - sing and play 1 phrase in all keys (in minor 2nds)
Overtones - Letting It Fall and start of page 15 from Top Tones. Mixed success up high.
Balkan Tune - memorisation is coming together and the piece is feeling more solid overall.

Improvising - finished things off with some improvising. Again, trying to not overplay and let things go were they want.

Sunday:
I did a few different things for this afternoon's session.
Started things off with some of the Joe Viola scale studies as a warm up.
When I was backing up my computer I came across an untitled folder containing 100 chords and decided to work with it today. Sometimes I would sing a note along with the recording and then try and play it and other times I would just play. I mixed things up - playing just a few notes or more of a line and other times working out parts of the chord. I worked through about 30 of the chords - playing each 2 or 3 times at the most. Here's one of the tracks (my first crack at uploading audio here):


I have no idea where these chord recordings came from. Drop me a line if you know the source.

Worked some more on the bell rhythms in Pure Rhythm. So far it has been a lot of fun working with this. I am a long way from being a percussionist but it is fun playing (or trying to play!) these rhythms on bongos.
Finished things off my some free improvising.

Practice Journal: 3 November 2014

Last week I was sick so I gave playing a rest. The week before I wasn't that diligent with the note taking but now I'm back into it. Although my notes were a bit thin on detail earlier in the week, I tried to make sense of them as I wrote them up.

Monday:
Terrace Dynamics
Overtones
Todays lesson - find a better time to practice (not 25 minutes before your wife has a conference call!), the horn was too loud but I could work on rhythm, so I tapped out some patterns in Pure Rhythm.

Wednesday:
Spent about 15mins on each of the below.
Letting It Fall and Overtones
Modus Vetus - sing and play 1 phrase in all keys. I noticed that my singing this week was a bit rough. Sstill feeling the effects of last weeks cold, I lost a bit of the higher range. It got better as the week progressed.
Etude - Balkan piece. Not exactly sure of the origin of this tune but it was given to me by Hayden Chisholm in Greece. I hadn't working on this for quite some time but it just popped into my mind so I decided to have a crack at it again.
Improvisation - playing 5 and 7 note phrases

Thursday:
Rascher's Top Tones - playing through page 12.
Modus Vetus - sing and play 1 phrase in each key.
Balkan piece - breaking it down a phrase at a time.

Friday:
Long tones (F's and C's)
Letting It Fall.
Overtones and Rasher (parts of page 13).
Modus Novas - sing and play - it's been a while and I was rusty.
Modus Vetus - the tonal stuff came together better
Balkan Piece.
Improv - short phrases. To avoid compulsive playing I would put the horn down briefly after blowing a few phrases. I found it a nice way to stay relaxed and to reflect on what I had just played before moving on.


Saturday:
Held some long tones - used a tuner. Not something I do that often (I prefer playing against a note/drone). But I might stick with this a bit to see what happens.
Letting It Fall
Rasher book - about half of page 14.
Modus Vetus - sing and play 1 phrase in all keys (descending chromatically).
Balkan Piece - working through it slowly. Having bit of a hard to memorising it.
Improv - similar to above (shorter phrases, trying to avoid compulsive playing and then let longer phrases and more dense playing develop from there).

Sunday:
Today I worked on rhythm in between each of the below. Working on the the Ewe bell patterns from Pure Rhythm (playing them on bongos). Working on the first rhythm and then the 1st variation in which the quarter note pulse shifts to the middle triplet (trying not to turn the beat over!).
Long Tones with Tuner.
Letting It Fall and tone matching
Rascher book - first half of page 14.
Modus Vetus - sing and play 1 phrase in all keys (descending chromatically).
Modus Novas - sing and play 1 phrase (ascending chromatically). My focus started to drift after working through about 4 keys. So I moved on to something more casual - listening and at times playing along with the Agios Lavrentios Brass Band video from this years Music Village.
Finished things of with some improvising.

I haven't recorded myself practicing for a while so I adding that to the list.

Practice Journal: 6 October 2014

Monday:
Modus Vetus - 1 phrase in all keys. I'm sticking with this although today I only had time work on the tonal material.
Overtones and Tone Matching - for me, these always work best once I have played for a little while.

For some reason Bach Invention #2 was on my mind so I tried to play what I could remember. It had been about a year since I last played it and was surprised how much I could remember. Perhaps the Inventions will return to my regular practice.

Those of you that have worked with Jerry Coker's books will recognise a familiar lick in the opening phrase.  I was immediately taken back to Improv classes at university with the class playing licks from Coker's Elements of the Jazz Language along with Band-in-the-Box, a play-a-long album or even a rhythm section. The "3-b9 lick" (see left) was one of those licks. It has been quite some time since I have worked on "material" in that manner. I can't really say I miss it.
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Tuesday:
Overtones.
Modus Vetus and Modus Novus - singing and playing 1 phrase from each (in all keys).

Rhythm - 2 against 3 and 4 against 3. Swapping between hands and swapping between counting 3 and counting 4.

Bach Invention - worked on it slowly. Breaking down into phrases then linking them together.

Singing with Roy

"September" - Still not really feeling the harmony so this was my focus.
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Wednesday:
Singing with Glenn Gould playing Bach Invention #2

Long tones on low B and then octaves against pedal tone
Letting It Fall

Modus Vetus - 1 phrase all keys (random)
Modus Novus - 1 phrase all keys (random)

Bach Invention #2
Finished off with some free improvising which ended with a chorus of "My Foolish Heart"
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Thursday:
Modus Vetus - 1 phrase all keys (minor 3rd apart). I have been playing these in time and, for the most part, quite slowly.

The other day I went to do some work with a tuner but couldn't get it going (and didn't have any spare batteries) so I downloaded this app - Practice + Tuner, Metronome, Recorder and More....

B(s) against pitch generator and tuner (played some other notes against tuner but mostly focussed on B)

Overtones focused on alternating fund a 1st overtone. This is always a bit confusing (fundamental (Bb) 1st (Bb) 2nd (F) or 1st (Bb) 2nd (Bb) 3rd (F) etc. Ive seen it both ways.

Finished off the morning session playing on September (the melody and then a choruses improvising)
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Friday:
Modus Vetus - one phrase in all keys. This time I tried something a bit different - singing and playing the line against a pedal tone (which acted as the root and also doubled as some tuning work).

Overtones - focused on overtones from B fundamental which was went pretty well today. Then played through some lines in Top Tones.

Bach Invention #2 - pretty much have it memorised just need to smooth things out a bit. Tried it at a few different tempos and then had a crack playing along with Glenn Gould.

Rhythm - tapped out and counted 2 over 3 and 3 over 4 alternating hands and counting while I was waiting for to meet my wife downtown. It's feeling pretty good now so time to move on.
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Saturday:
Modus Ventus - one phrase in all keys moving by a tritone and minor 2nd (F - B - C - F# - G etc).

Letting It Fall followed by some Overtones and then playing on the mouthpiece.

Modus Novus - one phrase in all keys (moving in the same cycle as above).

Bach Invention #2 - it's feeling better each day I work on it.

"September" - Alternated melody chorus with outlining the harmony. The harmony chorus started off pretty straight (arpeggiating the chords) and then things got a bit more flexible (less set patterns, chromatic passing notes etc).

Rhythm - In between each of the above I worked on a couple of rhythm patterns (see pic). These are from Adam Rudolph's book Pure Rhythm. Earlier in the year I was doing a bit of work with this - day I started getting back into it.
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Practice Journal: 29 Sept 2014

I've kept a practice journal periodically ever since I was at university. They come and go and vary in detail.  Last week I started a new one possibly sparked by the arrival on a new soprano (a Buescher True Tone) a week or so before.

It's been fun getting used to the new horn. Overall the ergonomics are not nearly as bad as some would lead you to believe. The transition between low B & C# is taking a bit of getting used as are the different fingerings up top (not front f key). I haven't really looked into the quarter tone fingerings but I know I will need to make some changes as the mechanism is different. I've found that getting the horn well warmed up helps the intonation tendencies to settle down a bit. Here's a rundown of the week.


Monday
Sound:
Terrace Dynamics (a la Sigurd Rascher's Top Tones for Saxophone) on Low E.
Rascher's "Uniformity of Tone Character" - worked between low A and middle F.
Descending octaves without the octave key (aka Letting It Fall) from Low F-Bb
Overtones. Up to third overtone. Including tone matching the regular fingering with 1st, 2nd and 3rd overtones.

Ear Training:
Modus Vetus - taking a line, singing and playing it in all keys (and registers) (round the cycle of 4ths)
Modus Novus - ditto (in whole tones)
I've had these books a little while now but have only just started working with them. Expanding on the work I have done singing/playing interviews and chords.

Tune:
"September In The Rain." This tune popped into my mind one day (perhaps it was raining) so I felt it was a good sign to start working on it.
Looped melody, sang melody, played melody in a few keys. F, C#, G.

Rhythm:
All of these were played on bongos.
Warmed up on a 6/8 rhythms - counting 4/4 and 3/4 against the 6/8 accent.
Revised 3 over 2 and 3 over 4 (and vice versa).
Bell pattern over 4 pulse.
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Tuesday
Letting It Fall
Overtones and tone matching
G with iTablaPro drone. Terraced dynamics, swells. then G and D (all registers) against drone.
Mouthpiece only - chromatic scale up and down. major scale up and down. Range is about a 10th

Sing with Nate King Cole "Star Dust"
Roy Eldridge "Star Dust" - singing with his solo (at half and full speed).

Modus Vetus - sing and play a phrase in all keys. Used iTabla Pro as a metronome.
Modus Novus - sing and play a phrase in all keys.

"September In The Rain."
Sing with Frank Sinatra
Alternate Playing Melody and sing melody.
Started learning harmony.
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Wednesday
Rhythm - 6/8 and some 3 over 2.

Dynamics on high G

Tone Uniformity - middle F- high Bb. 

Letting It Fall
Overtones. Lots of tone matching overtone to regular finger (up to 4th overtone)

Modus Vetus 1 phrase round cycle of 4ths
Modus Novus 1 phrase round diminished cycle
September in the Rain melody in keys of E, Eb

Tune - "September In The Rain"
Alternate singing and playing the melody. Root Progression of Harmony. Outlined harmony - no set patterns - some choruses were in time others were rubato. Alternated melody with free improvisation.

Sing - Roy on "Stardust" (1/2 and full speed)
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Thursday
Started today singing with Roy Eldridge on "Stardust."

Letting It Fall. I find this a nice place to start and find myself returning to it during practice sessions when I want to clear my mind or relax my embouchure.
Bending notes - taking a note and lowering it a semi-tone, whole-tone, minor third, as far as I can go with it. Taken from Steve Lacy's book Findings - I forget what he calls the exercise.
Mouthpiece only.

Rhythm - 6/8 counting 4 and 3.

Modus Vetus - 1 phrase in whole tones.
Modus Novus -1 phrase in min 3rds.

"September" - sing/play melody, outline the harmony. Improvise on the tune to finish things off.
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Friday
Rhythm - alternating hands between 4 pulse and bell pattern. Worked on this throughout the day in short spells (taking a break from school work, practice break etc).

Warmed up with a couple of minutes freely improvising.

Modus Vetus and Modus Novus - one phrase each in all keys around the cycle of 4ths.

"September" - alternating sing one chorus, play one chorus. This always brings back memories of my lessons with Richard Tabnik.

Singing with Roy's solo on "Stardust." My version seems to be a semi-tone-ish high. I found some versions on youtube that seemed to be at the correct pitch. I may switch over to those versions.
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Saturday
Warmed up looping the melody of "September." I then returned to work on tune in various ways (melody/singing/Harmony/Improvising) in between my other work.

One phrase from Modus Vetus in all keys moving up in whole tones.
"September"
One phrase from Modus Novus in all keys moving down in whole tones
"September"
Overtones - Once I worked with the first 3 over tones of various fundamentals I focused a little on the top end (4th/5th/6th overtones) off Bb fundamental.
Mouthpiece only.
"September"

Rhythm - bell pattern , alternating hands, various tempos

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